Dmiles is an independent artist and producer whose catalog spans 33 albums and more genres than most artists touch in a career: melodic EDM and festival remixes, futuristic techno, Psy Techno and Goa trance, spiritual R&B, soul and gospel, lo-fi hip-hop, Latin, Afrobeats and dancehall, Native American-inspired New Age, orchestral music, country-pop, folk, 90s-style boy-band pop and even children's party music.
His story as an artist begins with Time To Shine, the debut album he made when he decided to leave his job and seriously pursue music — the moment of standing at the edge of the nest, not knowing whether he would fall or fly.
Many Dmiles melodies are not invented so much as caught. They arrive as whistles when he wakes up, drives or takes a shower, and sometimes in dreams — the melody of “Lia's Dance” on Direct Potion came to him in his sleep. He records them before they disappear and builds albums around them.
Both of his parents are from Uruguay, and Latin music filled his childhood home. That heritage runs through Sonrisa del Alma, a Cuban-inspired Latin album, and Sangre Charrúa, a world music album imagining the musical voice of Uruguay's Indigenous Charrúa people.
Most Dmiles albums are concept albums: humanoid machines fighting like Capoeira warriors (Giro Fatal), alien messages and abductions (Abducted, Abducted 2), a sheep that becomes a DJ (Viral Sheep), a 90s boy band that was never discovered (The Lost Band), or a dimension made of feelings (Heart Dimension). The Just Dmiles series then remixes his own catalog into EDM — the first three albums reworking his first 20 releases.